Just another music lover's gig review blog.

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Showing posts with label australian. Show all posts
Showing posts with label australian. Show all posts

Wednesday, August 28, 2013

CAST YOUR MIND BACK: Episode 5, 1997: The best year of our lives, apparently. And accurately.



***WARNING, NECESSARY SWEARS***

HOLY FUCKING SHIT GUYS. It is definitely an accurate description to call 1997 as the best year of music, possibly ever, definitely in Australian history. If we could bottle this slice of musical history and drink it up it would be the sweetest, most excellent drink in the world. It was RIDICULOUSLY HARD to pick 15 of the most memorable for this year, simply for the fact that nearly EVERY GODDAMN SONG was good and IS STILL good. With the absence of maybe Pauline Pantsdown, the top 20 was consistently decent, every song still standing up today, yes even you Chumbawumba, still getting flogged during sporting events. Music has never been this good since and never will; even the novelty songs and one hit wonders had repeat listenability (except maybe "Cows With Guns" by Dana Lyons).
Bands such as Blink 182, Smash Mouth, Cornershop, the Verve, and Dandy Warhols were coming out with their big time debuts, hitting big before their inevitable roll downhill. Not only was the international scene prime, but the Australian scene was just NAILING IT, with debuts from Jebediah, Living End, The Mavis', Grinspoon, Powderfinger (JC is one of the few songs of theirs I have willingly listened to)  and solid follow ups from Silverchair, Custard, Spiderbait, and of course the number one spotters the Whitlams. Kylie was still in indie girl phase, Nick Cave was breaking hearts with 'The Boatman's Call', and Regurgitator were just about to start killing it with 'Unit'. If a few of those Australian artists had stopped there, they would have achieved legendary status. 
I'm sure there was some crap that year as well, but the fact is also that people were listening to the right stuff too, and it all made it in, even Ween. (Nothing from Björk's 'Homogenic' made it in, but we'll let that one slide.) And every band whether you liked them or not had a good song, Beck, Blur, Marilyn Manson, Metallica. I can't emphasize it enough; during the final Hottest 100 of the last 20 years countdown in June this year, the most entries were from 1997 (with 12 of them), and it makes perfect sense. It was a brilliant year. 

So with that said, I will focus more on the obscurities than the obvious, we-all-loved-it songs, otherwise I'd be here all day, and APPARENTLY MY BLOGS ARE TOO LONG. 




I think the only reason this wasn't higher in the mix was because of there being just so many good songs this year. No one could forget the classic Spike Jonze directed film clip in which dog faced boy Charles with his broken boombox and leg gets around New York. Interestingly, the actor who plays Charles has had his finger in a few Jonze-ish pies since then.


Faithless - Don't Leave (at #95)


Everyone knows Faithless as the whole deep trancey stuff, with Dido thrown in there time to time, but this song was one of their underrated gems before that whole image took over. Such a delicately heartfelt song that very much emulates the tragedy of breaking up. Looks like it was used in 'A Life Less Ordinary', as was the excellent Beck song ''Deadweight'' that year. Great film too!

Brainbug - Nightmare (#85)




One of those one hit wonders I'm talking about, and a bit of silly fun. Brainbug was an Italian electronic dance music producer, who disappeared from the scene after the 90's and whose other songs at a glance sound a lot like this one. The filmclip made it a lot of fun though and was a great watch during a saturday morning Rage session. 


Space - Female of the Species (#75)




Space were a little band out of Liverpool that made it big with this single, then released 'Tin Planet' which I bought from Crazy Clarks for $10, then disappeared and never came back again. A real shame, as their quirky pop rock was extremely good stuff, and this song is a sexy slice of musical cheesecake (just imagine a better looking guy is singing it). 

Front End Loader - Pulse (#72)



This is a perfect rock song. It picks and slows down in the right places, makes you feel like moshing, harmonizes perfectly, indulges in slightly morbid subject matter. I think my whole family loved this song. Also it's fitting that Regurgitator's replacement drummer Pete Kostic was in this band, 'cause those drums! I've listened to it 3 times just now and could go a fourth.

Robyn Loau - Sick With Love (#71)



Remember Girlfriend? You had blocked that out, hadn't you? They were responsible for me wanting to wear flower hats when I was 7. The frontlady of the early 1990's australian girl group (only 90's australian girl group??) grew up and released this (terribly written) single in 1997 and it actually did pretty decently. Nothing really came out of that however, except that years later when re-discovering it, I added Robyn to MySpace and actually had some back and forth comments. 


White Town - Your Woman (#59)



Another slice of musical perfection, don't even tell me you disagree! It was played over and over again for years after it came out, and you can still catch it making a go-around. I loved it soooo much. White Town was greatly a one hit wonder, however the one guy who makes all of the music in White Town is still very much doing music

Arkarna - Eat me (#50)



Arkarna was another forgotten band I totally adored. I never got their album "Fresh Meat" but I taped their Live At the Wireless set for it at the time and played it constantly. Such good tunes, and such cute dudes. Fun fact: their song "So Little Time" became the theme song for Mary Kate and Ashley Olsen's TV show of the same name. BIG MISTAKE GUYS. 

Filter feat. the Crystal Method - (Can't You) Trip Like I Do (#47)



Before Filter were asking us to take a picture, they collaborated with The Crystal Method to create this brooding speedy track for the purpose of the soundtrack to 'Spawn'. Frontman RIchard Patrick's screeching vocals is a perfect accompaniment to the squeaky electronics and breaking beats. And because of this song, everyone remembers that great movie 'Spawn'.


The Cure - Wrong Number (#45)



Probably the last really popular Cure song they've created, this song was completely flogged on Triple J when it came out. It was totally unavoidable, and way too difficult to get out of your head. It was also pretty excellent, thankfully, reminding the public of why the Cure are so good, even if it is silly to like the Cure.

Pendulum - Coma (#37)



NOT to be confused by another Australian irritating dub-step band, Pendulum were close to giving me nightmares with this song. Opening with a really well picked creepy line from the not-so-creepy Eddie Murphy film 'Coming To America', add that to the cat-miaowy noises and footsteps, equals a song that takes you to all sorts of disturbing mental places. Fantastic. 

Regurgitator - Everyday Formula (#19)


The 'Gurge really sold their electro-punk-pop for me with this song, coupled with their Tron homage film clip. It also really sold Quan Yeoman's face to me as well. This was the year 'Unit' was released, which would go on to become their biggest hit and one of Australia's best albums of like, forever. 'Unit' kept them in the ARIA charts for something like 3 years, as they gradually released super fantastic single after single. I lusted over this album all throughout my childhood (It was R rated), surviving on a recorded tape of singles that I got off a friend. Finally my mum bought me a copy when I was a uni student, which was almost a humour joke after all that.


Cordrazine -  Crazy (#17)


I can still listen to this song for it's brooding, haunting melancholy. It seems to perfectly encapsulate that feeling of being out of control and isolated, with lead singer Hamish Cowan's voice a perfect accompaniment for the mood. This was the big single for Cordrazine, an Australian band that faded away not long after this hit. I remember seeing them on the bill to play at the Zoo in 2010 however so it appears they did reform (as is the thing to do in the twentyteens).  

Quindon Tarver and Lee Perry - Everybody's Free (to Wear Sunscreen) (#16)



Baz Lurhman had a bunch to do with this song which coincided with the excellent Romeo and Juliet soundtrack. Little man Quindon Tarver had won hearts with his gospel voice and ensured the track was not all about some old guy dishing out intriguing advice. The advice was pretty timeless, although very open to parody, achieved somewhat well by John Safran. 



I've done enough tooting of my own horn about Radiohead to fill a blog on its own.. but I have to tell you this song was the beginning of a long, long, long love affair with them. They've never let me down, and this song was worth an album of goodness, it has so much depth and creativity and emotion and layers and multiple playing power. The song, with the clip, takes you into a dark, aggressive place, and at 11 I had no idea how much that place would mean to me in my teenage years. And that's all I'll say.

So yep, done, dusted, 1997: best. I dare you to top it. Won't happen. 
P.S. Special thanks to Mike the Lover for letting me do this on his Mac. Hey did you know that Macs are really good?

Monday, May 20, 2013

CAST YOUR MIND BACK: Triple J Hottest 100s, Episode 1, 1992.



A few weeks ago while I was flicking through the radio on my way to work (or rather, switching between Triple J and 4zzz, and River FM because sometimes they have some MAD CLASSICS), I heard an announcement that Triple J are doing a Hottest 100 countdown of the past 20 years, to mark the yearly poll's 20th birthday. 
Whether or not you feel inclined to vote for this, and will or won't be disappointed that the poll won't contain the ones you vote for; the event is going to take your mind back regardless. As they tend to do a Hottest 100 of All Time every couple of years or so, is there a point to this poll? Who knows. But I couldn't help but reminisce, as we all so love to do, being in our nature. 
When I first started to take notice of music other than Disney soundtracks and the Beatles, it would have been about 1993-1994 when I was about 7 or 8. My family had moved to the sticks (Caboolture), and we didn't have as many friends or things to do. We were living in a rental property while our house got built and my mum had initiated a new tradition of putting the radio on in the afternoons after school, unleashing all sorts of musical havoc on my ears. Mum and Dad also bought the Hottest 100 volume 2 CD that year which I basically took possession of and never gave back. It was all thanks to Triple J that I was the only 8 year old in my school who listened to Björk, knew who Nick Cave was, would grow to obsess over Regurgitator and Ben Folds Five and complained that all my best friend wanted to listen to was "My Heart Will Go On" on repeat. My parents have a lot to answer for, but my versatility in taste and eagerness to explore more new music, was thanks to one thing, Triple J. 
These days I've become jaded and insist that the music is not as good as it was back then, and the talk back so much more irritating (is it a sign of age or is it the truth?), but I can't shake the fond relationship I once had with Triple J. It got me through high school nights of cramming, and introduced me to the musical friends that would be there for me when human friends seemed scarce. So to pay tribute to this long running government funded radio station, I've decided to do a succession of posts detailing the highlights of the first ten years of Triple J Hottest 100's existence. After that, I'm retiring this tired neglected blog, in favour of a generic newfangled tumblr. 

So Triple J's first yearly poll (since doing 'All Time' polls from 1989 onwards) was in early 1993, listing off the best from 1992. I was 7, and not quite into the music that defined me just yet- but there were some gems that ended up in the countdown, that I distinctly remember dancing, humming, singing, or being transfixed by. My Dad did a pretty good job of shielding me from the number one song, Denis Leary's "Asshole", and I'm not including the songs I got into LATER in life.... So here's 15 that I remember getting into best.

The Shamen - "Ebeneezer Goode" (coming in at #99)



This song is pure 90's one-hit-wonder bliss in it's most infectious form. I was fascinated by it's weird "noorrrty noorrrty, verrrrrrrrrry norrrrrrrrrrrrtty" intro, random laughter, and sped up cockney lyrics, in that way that you don't really LIKE something but just can't help listening to it. It belongs firmly in the 90's but enjoys being rehashed by Triple J on the odd occasion. 


Inner Circle - "Sweat (A La La La La Long)" (#94)




I remember attempting to choreograph this song with my grade 2 school friends in the playground. We all loved it's silly a-lalala-long lyrics and made impressions of the lead singer's reggae voice, and all the while not realizing that were were singing about a guy wanting to basically rape a lady. It is also a terrible song.

Green Jelly - "Three Little Pigs" (#85)



I also have Rage to thank for my exposure of music of course, without which I would not have seen this fantastically novel video. This song was perfect for an innocent seven year old who had just had The True Story of the Three Little Pigs read to her by her teacher. Bastardized fairy tales were a bit of a thing for a while.
 

Culture Beat - Mr Vain (#68) 



I think I actually had to warm up to this song in jazz dance class, or at least watch another group do it. Ok, lets be real, the early nineties had some doozies, and this was one of them. But that was 90's dance for you and we've all progressed since then. In the meantime, I am doing some mad Night at the Roxbury-esque head pops right now. 

Utah Saints - "Something Good" (#66)





This song is bloody amazing, so much so that they remixed and re-released it in 2008. Not really necessary, but at least it reminded people that the song existed and was ah, something very good (lulz) for its time. I have a memory of doing a dance in the garden to this song. 

Faith No More - "Easy" (#62)




My first exposure to transvestism was thanks to this video clip. Of course I just thought it was silly and funny, and there was nothing that a young girl should worry about, so I'm glad for my naivety. This song is played to death now, but it was always quite a solid one.


Ween - "Push Th' Lil Daisies" (#40)




My mum hated this song, and I couldn't really figure out why. It was catchy and the singer had a cute little boy voice and the film clip was weird... I had no idea what he was singing about so I assumed it was something rude and that's why mum didn't like it. Which it's not... right??? R.I.P. Ween, I miss you.

Salt-N-Pepa - "Shoop" (#35)



This song was on all the bloody time. I probably asked "What does shoop mean" enough to drive my parents nuts. I thought the middle girl's hair was pretty cool. That's all my thoughts on this song. 


Ace of Base - "All That She Wants" (#29)




I remember singing this song with Dad a little later on when mum was pregnant with my little sister. That all my mum wanted was another bab-eh was debatable... just kidding, love you Maz! Anyway I completely adored this song, along with "The Sign". I wanted to dress like those swedish girls and light candles and brood.


4 Non Blondes - "What's Up" (#24)



I utterly HATED this song when it came out, and it remains as one of my least favourite songs of all time. SO annoying. What was she trying to achieve with that fucking hat and goggles, seriously? Do you have to be so badly 90's, lady? Can you please have a better voice? Also please get out of my head whenever I think of you?! Sheeeeesh. 


The Cruel Sea- "Black Stick" (#21)




My parents got this album around this time, and played it to smithereens. Once, many years later, an American exchange student was staying with a family friend and we took her out to some of the more interesting parts of Brisbane, and my mum put this on in the car. Probably the most Australian music you could play to a US dweller, I was kind of embarrassed at the time but was also reminded of what a great album this is. 

Pet Shop Boys - "Go West" (#18)



Another shit 90's song that I loved to pieces. I had a brief Pet Shop Boys love affair as a super youngster, but so did the rest of the world at the time. I'll assume, anyway. This is an awful song. Enjoy. 


REM - "Everybody Hurts" (#11)



My uncle was a huge REM fanatic and also helped me along my musical journey. The film clip was on all the time and I remember laughing at the captions in it. It also became one of the first songs I learnt on guitar. The album was another one my parents flogged a bit too, and I remember being frightened of "New Orleans Instrumental No. 1". I thought it sounded like aliens. 



Blind Melon - "No Rain" (#4)




One of those songs that was impossible to miss, and all my easy listening loving friends would still harp on it about a decade later. I don't know how popular it would have been without that film clip (Blogger won't let me post you the clip here for some reason). I really identified with that kid, man. 


Radiohead - "Creep" (#2) 



Duh. If you didn't hear this song at the time then you were without hearing. It seemed dark and not very nice and there was a swear in it (depending on where you were hearing it) and I didn't really think much of it, but I remember wondering why the man was so down about himself. I did think he was a bit creepy myself. NOW LOOK AT ME. 

For the complete list, click here. See you in a few days with the best of 1993... In the meantime, comment with your best memories of 92, if you wish!