Just another music lover's gig review blog.

Richard Ashcroft (moments before hissy fit)

Thursday, March 31, 2011

HEY, WHA HAPPEN??

Where'd this humble blogger go, after promising she'd never procrastinate on this blog again? WHERE DID SHE GO!?

I apologise, you reader, or maybe even two readers, for my absence and broken promise of keeping things up to date. There is no excuse, apart from the fact that I honestly could not actually um, post any blogs, for a good 3 weeks.

This is because I have moved house, from out of the family home, a second time, to a nicely positioned home in the Valley. Or Spring Hill, whichever floats your boat. It's on the cusp. Either way, it's inner city, and ten minutes away from the station for the hour long trip to work, but it's comfy, spacious, co-habited by nice people, and it's MY SPACE. Privacy! Control! Whee.

One of the plus's of my new situation, apart from all that, is the location, and the fact that about a 4 minute walk away is the Tivoli, and another 10 minute walk is most other venues that bands I am interested in are usually playing. Prime blog fodder, now that internet is activated!!

There is also the trillion bars and clubs that exist in brisbane which is a hop skip and jump away, and restaurants everywhere. I'm kind of excited to have that at my doorstep.

However, this year I've discovered that the things I loved about the valley once upon a time, have changed very much, which I knew somewhat already, but not to what extent...

Many years ago, I was younger, a little freer, and sillier, and would go out most weekends to a younger, freer, and more fun Brisbane and FV. There would be the weekly treat of Common People (an off-shoot of the Depot), a club night playing only alternative all-time music, and of course whatever was flavour of the month at the time as well. It was the only place you would find a Talking Heads song playing on a dance floor, followed by The Kinks, the Smiths, New Order, Bowie, Yeah Yeah Yeahs, Blur, LCD Soundsystem, and a million other of my favourite artists. And yes they even played the William Shatner cover of their namesake song.

It was always in a pretty dodgy location but I had so much fun there, dragging along whoever I could find who was even a little bit willing to go with me. (It was hard to find friends as excited about it as I was). It became a little bit of a culture and a family, as you'd see the same people there every week, always atrociously dressed, but just there because they liked to dance to the same music you did.

If it wasn't Saturday night, then you had a limited choice, but the next on the list was Ric's Cafe. Ric's was a tiny downstairs and upstairs room, which not only put on free upandcoming bands most nights, but had a pretty good selection of songs playing on their dancefloors. Upstairs could be pretty fun- their playlist not quite as top notch as CP but not far below it. The nice thing about Rics was it's simplicity, again it was just a kind of dodgy room, but a few stools and couches and a bar and that's all you wanted. There was no pretense or expectation, and not as much 'I can look even more ridiculous than you' fashion faux pas as CP had.

It was disgustingly difficult to find anywhere else that wasn't full of doof doof or repetitive r&b or predictable popular pub songs, and really those were the only two options I knew of. Soon, Common People closed its' operation, only to spring up in different locations every now and again, but without getting enough of a crowd aware of them to stick around.

Then, Ric's got sold, and sold out. Upstairs turned from a fun alternative music night to a doof doof club, and in doing so, pushed the people who would have danced upstairs, to downstairs, where there just isn't enough room to enjoy oneself. They've turned the lot behind it into a 'backyard' area, for smokers and people wanting fresh air to enjoy- and no dancefloor there either (though, nothing stopping one from making their own!)

Other than downstairs Rics, there is Alhambra Lounge on a Thursday nights for some alternative dance tunes, but being a full time employee means I'm most likely in bed by the time things get good.

Since moving, I've ventured out on various escapades, and tried to adjust to this change of options. Now I'm older and less exciting, I really just want a nice place to have a meaningful conversation, so outside of Ric's has een useful. However, my last visit disappointed me while hearing the same sequence of songs played as the previous visit. Still, better than any other venue I've visited in dance mode. None of my dancing friends share my dance music taste, so I've had a few oddly painful moments of walking down from the upstairs ear-splitting frenzy, to hear familiar enticing hints of songs wafting up to greet my ears. The first time this happened, it was none other than “All My Friends” by LCD Soundsystem, one of my favourite songs of the last few years. My stomach twisted and my heart raced, feeling torn and cheated. What was I doing upstairs, when my favourite music, the things that really make my feet move, were just a few steps away? But I'd be selfish to make others endure it, right? I'm to take it upon myself to endure theirs, right? Because the music that moves me, is not typical, and no one else finds it danceable, apparently. Clubs cater to a majority, not the weird minority of people whose ears curse them when entering these majority ruled venues. I know this, and I've accepted it, but I never feel true to myself doing shoulder dips to fitty cent or usher or whatever is blasting out at me. I do however, love spending time dancing with my girlfriends, and that makes it all worth it.


I wanted to talk more about the dying off of Brisbane music venues in the same manner, but I feel i have waffled enough and any more waffles would be a breakfast with the Humphries/Van der Woodsens. Another time. I have also a little backlog of gig reviews to get posted! I'm sure the decreased revelance of them won't disappoint you half as much as it disappoints me. But I may prevent you from making bad future gig decisions, so who knows. Stay tuned!

Monday, March 7, 2011

Roxy Music, The Riverstage, 1st of March 2011


Seeing a gig with your parents is always a very different experience to seeing one with a friend. For one, the type of gig is usually very different. Obviously it is a band my parents enjoy, so there have been things like Spandau Ballet and Tears for Fears last April, Cat Stevens last June, lots and lots of Ed Kuepper gigs, and tribute nights such as the awful, AWFUL David Bowie one in December. Apart from that disaster, they have all been good performances however.
Secondly, it's a very different vibe. Although my parents are quite up with the times and for the most part enjoyable to spend time with, it has never ever been considered cool to hang with your parents, and on occasion, it can also be frustrating.
Being a little more worn than my youthful self, they prefer to hang back rather than get prime spots, they tend to whine about the heat and crowd during the most pleasant of experiences, and I always end up inexplicably drunk by the end of the night, which is really my fault for attempting to keep up with them... but have you ever experienced sobriety while trying to deal with a bunch of sloshed 50+ year olds who know absolutely everything about you? It's only entertaining for a little while until it becomes embarrassing.

Tonight was a little different as mum had managed to bag us most excellent seats quite close to the front, while sill a comfortable distance back from GA (and still very iPhone camera unfriendly.)
The Riverstage at the QUT/Botanic Gardens was pretty well organised tonight, with few issues getting in and finding our seats, well set up merch tent (I couldn't resist the Love is the Drug tote bag) and reasonably well managed drinks tent. I like the Riverstage during single events most. It's quite relaxed, casual, and you're guaranteed to have a good night whether you're right up front or lounging picnic-style on the grass, thanks to the stage being at the bottom of a large hill.

It was a much earlier show than I'm used to, which is usually a good thing, but it also meant I had to miss my Tuesday flamenco class, which I was feeling kinda guilty about. That, plus a stressful day at work, had not put me in the best mood for the show, and I found myself trying to gee myself up with excitement once the band hit the stage.

The stage was epically set up, as if the band had decided no spot of it could be empty, and set about filling it as much as possible. AND SYMMETRICALLY as well! Back up singers were set up on far left and right, and dancers stood on podiums at the back of the stage, with the visuals accompanying the music being projected on them ad the screen. They (mostly) kept in sync with each other despite being miles away from each other.

And there at the forefront was Bryan Ferry, looking very suave and fit for his age, who launched into a HUGE set. I must admit, only being a casual Roxy Music listener, there was a lot I didn't know (but apparently I was not the only one, friends of parents), and based on the unfamiliar ones I heard, I am so very keen to listen to more. Bryan belted out killer tune after another, voice still superb, all groovy, funky, sexy pieces of song. The band threw in a few subtler, slow, more experimental tunes, which I had to admit, in my exhausted state, I was glad to hear the end of. After the end of a particularly long one, "My Only Love", the band cranked up the energy levels with "Virginia Plain", and powered through to "Love Is The Drug", a fun highlight.

The band did a few of their cover songs, of course being "Jealous Guy" (John Lennon) in all its cheesy glory (bringing a sigh from mum), and "Like A Hurricane" (Neil Young). I hadn't realised they had covered this song, and was pleasantly surprised to hear it, but received a scalding from my parents later when mentioning I enjoyed it better than the original.

"More Than This" was another highlight, introduced slowly and delicately by Bryan solo, then with the band slowly joining in, a beautiful touch. "Avalon" and "Stick Together" are two songs I'm not too fussed on, but they were done well, and the old ladies in the crowd went mad for the latter, breaking out of their stoic gaze to loosen up and dance a little. After an extensive show, the band ended on "For Your Pleasure" and all was over, without an encore. After an hour and a half of solid music, there was really no need.

As we got up off our seats the vibe was definitely "Wow... but..." as I, along with my parents and their friends, were all hoping to hear "Dance Away", which is probably my favourite Roxy/Bryan song. This vibe was penetrated by one of them piping up asking "Why didn't he play "Simply Irresistible"!! That's my favourite!".

I then wondered if it was time I stopped hanging out with oldies who tend to get their pop idols mixed up.

Saturday, March 5, 2011

The Books, The Zoo, 19th Feb 2011

Now put on some undergarments, and go deeper... and deeper... and deeper...

NYC based duo The Books have been described as experimental, avant-garde sound collagists, which is somewhat of an apt description, however it doesn't quite describe fully what it is the Books do. Cutting up samples from random films, self halp and language tapes, soundbytes, and even old Talkboys found in thrift stores ("This is Peter McCallister here, the Faartherr.") are arranged and intertwined to tell stories and create moods enhanced by synth, guitar, violin and subtle vocals. They are really a band unlike no other and really best experienced rather than described, which is why their first Brisbane tour ever (geez) on February the 19th was quite highly anticipated.

High places supported, an LA based duo, and had a similar synth, sample and vocal theme, albeit on a very different scale. Their music was somewhat simple but quite effective and interesting, and I found myself moving along to it as as if I had already heard the songs before, which I could tell have some addictive properties to them. I'd like to check them out again soon if I get around to it. I'll more likely find myself in Rockinghorse thinking "what was that band I wanted to check out" and end up buying another $10 cheapie instead, but give me time...

High Places along with the Books later, lamented about the heat, marvelling at the condensation in the air that they don't normally get in the US. I have to say I do feel for bands that come out here from cooler lands, and are expected to play in at times non-airconditioned, badly ventilated venues (an exercise which is pretty heat inducing already), in the most disgusting of climates.


As the Books came on, flanked by a large video display, it was a very different vibe and scene from previous Zoo gigs, particularly the one earlier that week (the sold out Caribou/Four Tet). Correctly expecting a small crowd, the floor was set up with tables and chairs on the side, and many were sitting back to enjoy the show from a distance. Which suited me wonderfully, as I plonked myself in front and centre for an excellent view.

The DVD display behind the band had small acronyms along the bottom which sneakily told us how many songs to expect, while singer/guitarist Nick Zammuto flicked through them with a remote to cue each video. The band introduced Gene, their new guitarist/violinist/synthist, whom meant they could play a few of the more difficult tracks from their earlier albums.
However, they began with "Group Autogenics I" from their newest, 'The Way Out', a song involving samples from self help cassettes and DVD's, with accompanying images of the supposed speakers. It is a very humorous tune as well as video, at which myself and the audience excitedly giggled at the nonsensical empowering statements and accompanying images, such as "You may just possibly be able to detect from my voice that I am Irish. And it's now I leap forward in time". It was a whimsical, wonderful beginning, unlike any opening of a band I'd ever experienced before. The band played soothing music with slightly dark undertones, along with the dialogue, on their various interesting instruments, including a skeletal cello thing played by Paul De Jong.

The entire show followed this very different format, as the musicians covered all their best work, with particular emphasis on those on Way Out, highlights being the morbidly hilarious and childish "A Cold Freezing Night", schizophrenic catch-phrased "I Didn't Know That", and sweetly acoustic "Free Translator", consisting of lyrics generated from translating english phrases back and forward from different languages on internet translating sites. Along with this less sample-based song, they performed a few others of this style, including the wonderful Smells Like Content. A favourite of mine, it was sung with beautiful vocals from Nick, accompanied by the lyrics appearing onscreen, perfectly timed with their verbalisation.

Ahh, Geeeene!

They encored with Take Time, and then finally, their cover of Nick Drake's "Cello Song" (minus Jose Gonzales), a lovely and surprise finish.
All in all it was simply amazingggggggg. It was hard to quite fathom how this insane band managed to pull of their crazy method live, so well and with so little effort... APART from a brief few moments when the computer froze (this time a Toshiba!), but not as much to the detriment of Caribou. As I said earlier, this QLD weather is very unkind to bands at the moment.
I feel so lucky to have had the rare opportunity to witness their magic onstage, and I'd be really sad if it was the last. I was also sad to see a much emptier Zoo this time around, and expected more people to be as keen for the Books as I was. But nonetheless... The Books, whoever you think you presently you are.... thankyou.

9 out of 10 um, books.

p.s. I dare you to youtube the Books to check them out for yourself, if you haven't already, and also dare you to tear your eyes away from this one: http://www.youtube.com/watch?v=TqlVCKfX3hk